hnnhmcgrth:

Vali Myers, 1950s.

hnnhmcgrth:

Vali Myers, 1950s.

(Source: maygrey)

i’m five thousand percent gnna get this (softly, fiercely) tattoo n i wnna get it rlly soon but WHAT FONT and how do i know what that font looks like on skin and what about letter spacing should it be upper/lowercaseand ******!!

Growing up, I didn’t read novels by women. It’s not that I didn’t want to. It’s almost like I didn’t think that I needed to or, I guess, I didn’t know that I needed to. I was perfectly happy in a world contained by men. I adopted the posture of the brooding male as my own. I was Salinger, I was Kerouac, I was any male protagonist in a novel that one of my boyfriends recommended. I didn’t know that there was a specific female sadness so I was content with relating to a generalized one. And in a way, reading these novels was less of a way to relate and more of a way to learn how to be the type of girl that these male novelists liked. One of my first ambitions wasn’t to be a writer – it was to be a writer’s muse.

Gabby Bess, in Dazed (via mikagesakurai)

(Source: electric-cereal, via 888888b)

i feel so quiet and powerful tonight

(Source: creepyluvbb, via romanovz)


Vivienne Westwood, Spring/Summer 2000

Vivienne Westwood, Spring/Summer 2000

(Source: howtobeafuckinglady, via centreforstyle)

fruitsoftheweb:

(A bit bigger here.)

fruitsoftheweb:

(A bit bigger here.)

(Source: petetoms, via skeletongrazed)

china-bird:

thurston moore & william reid

china-bird:

thurston moore & william reid

(via berlin1991)

gallowhill:

Zbigniew Warpechowski - Śmiejący się w drzewie (Laughing in the tree), 1996

gallowhill:

Zbigniew Warpechowski - Śmiejący się w drzewie (Laughing in the tree), 1996

(via berlin1991)

(Source: lovepox, via ladiesintheclub)